Oil On Canvas, Real Flavor of Old Masters

All William Blake 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
42512  
A black living hung collected its ribs, William Blake
  		 A black living hung collected its ribs   mk169 1792 line engraving to a design 26.7x20.3cm
94447  
A Negro Hung Alive, William Blake
  		 A Negro Hung Alive   1796 cjr
94963  
A Vision of the Last Judgment, William Blake
  		 A Vision of the Last Judgment   Date 1808 cyf
77  
A William Blake reproduction, photographed in our studio, William Blake
  		 A William Blake reproduction, photographed in our studio  
33822  
Beatrice addressing Dante from her Wagon, William Blake
  		 Beatrice addressing Dante from her Wagon   mk86 c.1824-1826 Aquarell 36.5x52cm London,Tate Gallery
94444  
Blake's Ancient of Days., William Blake
  		 Blake's Ancient of Days.   23.3 x 16.8 cm (9 1/8 x 6 7/8 in.) 1794(1794) cjr
94446  
Blake's Newton, William Blake
  		 Blake's Newton   cjr 1795
97409  
Count Ugolino and his sons in prision, William Blake
  		 Count Ugolino and his sons in prision   1826(1826) Medium oil, tempera and gold on wood Dimensions 37.8 X 51.6 cm cyf
94442  
Dante_Hell_XII, William Blake
  		 Dante_Hell_XII   cjr
45873  
Death on a Pale Horse, William Blake
  		 Death on a Pale Horse   mk178 around 1800 India ink gray Lasur and watercolor on paper 39.3x31.1cm
94441  
Der grobe Rote Drache und die mit der Sonne bekleidete Frau, William Blake
  		 Der grobe Rote Drache und die mit der Sonne bekleidete Frau   1805-1810 40 x 32,5 cm cjr
94960  
Four and Twenty Elders Casting their Crowns before the Divine Throne, William Blake
  		 Four and Twenty Elders Casting their Crowns before the Divine Throne   Tate Date c.1803-5 cyf
80  
Glad Day, William Blake
  		 Glad Day  
82  
God as an Architect, William Blake
  		 God as an Architect   1794
22293  
Happy Day-The Dance of Albion (mk19), William Blake
  		 Happy Day-The Dance of Albion (mk19)   1794-1796 Colour engraving,pen and water-colours for Europe,a Prophecy,30.4 x 23.6 cm Fitzwilliam Museum,Cambridge
22804  
Hecate (mk22), William Blake
  		 Hecate (mk22)   1795 Color monorype,43 x 57 cm London,Tate Gallery
62538  
Hecate or the Three Fates, William Blake
  		 Hecate or the Three Fates   1795 Pen and ink with watercolour, 430 580 mm Tate Gallery, London Recently the painting is called The Night of Enitharmon's Joy. The many titles show the many levels of meaning, or the impenetrable mystery of Blake's work. Author: BLAKE, William Title: Hecate or the Three Fates Form: graphics , 1751-1800 , English , mythological
26098  
Jerusalem Plate 51(mk47), William Blake
  		 Jerusalem Plate 51(mk47)   AA 1812 Relief etching,hand coloured 159x219mm Lent by the Syndics of the Fitzwilliam Museum Cambridge
83  
Job and his Daughters, William Blake
  		 Job and his Daughters   1799-1800 National Gallery of Art, Washington DC
53883  
Job and his dottrar, William Blake
  		 Job and his dottrar   mk234 1799-1800 27x38cm
39394  
Joseflasst Simeon tie up, William Blake
  		 Joseflasst Simeon tie up   mk148 around 1785, sound the testaments of the twelve patriarchs Simeon was held because he had tried to kill Josef
62539  
Los Entering the Grave, William Blake
  		 Los Entering the Grave   1804-20 Etching with pen, watercolour and gold, 220 x 160 mm Yale Center for British Art, New Haven This is the frontispiece of the illustrated poem Jerusalem. In the coloured version of the frontispiece to his Jerusalem, Blake placed the thorns of the Passion beneath his own personification, Los, as he steps bravely through a door into a dark, grave-like void. This is not an end but the beginning: Los has embarked on an adventure, one hand raised in greeting and the other holding a blazing sun to illuminate the truths to be revealed in the following pages. Author: BLAKE, William Title: Los Entering the Grave Form: graphics , 1751-1800 , English , mythological
94953  
Night of Enitharmon s Joy, William Blake
  		 Night of Enitharmon s Joy   1795 Type Pen and ink with watercolour on paper Dimensions 44 cm x 58 cm cyf
53639  
No title, William Blake
  		 No title   mk234 1794
94438  
Oberon, Titania and Puck with Fairies Dancing, William Blake
  		 Oberon, Titania and Puck with Fairies Dancing   cjr
40624  
Pity, William Blake
  		 Pity   mk156 Watercolour heightened with ink on paper 42x54cm
23255  
Pity (nn03), William Blake
  		 Pity (nn03)   c 1795 Watercolour heightened with ink on paperh42 xw54 cm h16 3/4 x w21 1/4 in Tate Gallery London
56119  
sir james macdonald and sir alexander macdonald, William Blake
  		 sir james macdonald and sir alexander macdonald   mk247 1749,oil on canvas,69.5x58 in,176.5x147.5 cm,scottish national portait gallery,edinburgh,uk
40622  
The Ancient of Days, William Blake
  		 The Ancient of Days   mk156 1794 Etching in relief with watercolour 23.3x16.8cm
40627  
The Ancient of Days, William Blake
  		 The Ancient of Days   mk156 1794 Etching in relief with watercolour 23.3x16.8cm
22291  
The Ancient of Days,frontispiece for Europe,a Prophecy (mk19), William Blake
  		 The Ancient of Days,frontispiece for Europe,a Prophecy (mk19)   1794 Colour engraving,pen,water-colour 30.4 x 23.6 cm Fitzwilliam Museum,Cambridge
79  
The Body of Abel Found by Adam and Eve, William Blake
  		 The Body of Abel Found by Adam and Eve   1825
48669  
The Body of Abel Found by Adam and Eve, William Blake
  		 The Body of Abel Found by Adam and Eve   mk191 about 1825 tempera on the board 32x43cm
52711  
The Circle of the Life of Man, William Blake
  		 The Circle of the Life of Man   mk223 Oil on canvas
94440  
The cottage in Felpham where Blake lived from 1800 till 1803., William Blake
  		 The cottage in Felpham where Blake lived from 1800 till 1803.   cjr
22805  
The Fall of Man (mk22), William Blake
  		 The Fall of Man (mk22)   1807 Watercolor 49.6 x 39.3 cm London,Victoria and Albert Museum
94448  
The Ghost of a Flea, William Blake
  		 The Ghost of a Flea   1819-1820 21,5 x 16 cm cjr
22257  
THe Great Red Dragon and the Woman Clothed in Sun (mk19), William Blake
  		 THe Great Red Dragon and the Woman Clothed in Sun (mk19)   c 1806-1809 Water-colour,34.3 x 42 cm Brooklyn Museum,Brooklyn(NY)
81  
The Great Red Dragon and the Woman Clothed with the Sun, William Blake
  		 The Great Red Dragon and the Woman Clothed with the Sun   1805-1810
94970  
The Harpies and the Suicides, William Blake
  		 The Harpies and the Suicides   1824-7 cyf
45944  
The Horse, out of William Hayleys Ballads, William Blake
  		 The Horse, out of William Hayleys Ballads   mk178 around 1805/06 Tempera with black India ink on copper sting disk 10.6x6.4cm
94443  
The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, William Blake
  		 The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta   374 x 530 mm 1824 - 1827 cjr
78  
The Marriage of Heaven and Hell, William Blake
  		 The Marriage of Heaven and Hell   1790-93
94445  
The murder of Abel, William Blake
  		 The murder of Abel   c. 1825 cjr
94439  
The Night of Enitharmon's Joy, William Blake
  		 The Night of Enitharmon's Joy   44 x 58 cm (17.3 x 22.8 in) 1795(1795) cjr
26097  
The Spiritual Form of Nelson guiding Leviathan (mk47), William Blake
  		 The Spiritual Form of Nelson guiding Leviathan (mk47)   AA 1812 Tempera on canvas 762x625mm Tate,London
William Blake
1757-1827 British William Blake Galleries William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public (he was called a lunatic for his imaginative work), but he had a profound influence on Romanticism as a literary movement.



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